Reynel Suarez5 minAward-Winning Cinematographers on the Wide, Standard, and Telephoto LensLike many other creative choices on a film set, the cinematographer’s decision on what lens to use can shape the way an audience...
Reynel Suarez4 minCinematographic Breakdown: Taxi DriverTaxi Driver (1976) was shot on 35mm Eastman Color Negative 100T 5254/7254 Film using ARRIFLEX 35 BL Camera and Zeiss Super Speed Lenses....
Leo Barton7 minNo, Take Two: How Three Cinematographers Broke into the Film IndustryAccording to Christopher Doyle, there are only three groups in cinema: those in front of the camera, the audience, and the...
Reynel Suarez7 minChoosing Your Lens: Buying Guide for Beginner VideographersInvesting in the right camera lens will help videographers separate themselves from the pack, especially in an increasingly competitive...